HISTORICAL NARRATIVES IN CONTEMPORARY LATVIAN THEATRE: CONSTRUCTING SOCIAL IDENTITY

Authors

DOI:

https://doi.org/10.55877/cc.vol31.549

Keywords:

collective memory, social identity, historical narratives, trauma, contemporary Latvian theatre

Abstract

This research explores the relationship between theatre narratives and the formation of collective memory and social identity in contemporary society. Focusing on Latvia, the study examines how current theatrical practices represent twentieth-century historical events – particularly those related to the Second World War and its aftermath – and how these representations influence national social consciousness and cultural trauma. While grounded in the Latvian context, the analysis highlights the broader relevance of these issues within European discourse. Using frameworks from memory studies and social identity theory, the study explores how performance narratives serve as tools for shaping social identity and collective memory. The findings suggest that Latvian repertory theatre predominantly promotes a humanistic collective memory, but also point to the need for narratives that acknowledge the nation’s victimhood under occupation and promote a positive sense of identity among younger generations.

Supporting Agencies
The research was carried out within the State Research Programme project “Navigating the Latvian History of the 20th–21st Century: Social Morphogenesis, Legacy and Challenges” (VPP-IZM-Vēsture-2023/1-0003).

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Author Biography

  • Dr. art. Vēsma Lēvalde, Riga Technical University, Liepāja Academy, Latvia

    Vesma Levalde (Dr.art.) is a Latvian theatre researcher and critic, assistant professor at RTU Humanities and Art Centre, and editor and author of the Latvian electronic theatre magazine KRODERS.LV. Her main interests include regional cultural history and its representation in contemporary drama, the digital age and media society, and the interpretation of classical texts in contemporary theatre. She is a member of the AITC/IATC national section of Latvia; as an academic staff member, she has developed the following study courses: Stage Culture and Performative Multimedia Art and Analysis of Current Processes in Theatre. 

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Published

30.12.2025

Issue

Section

THEATRE, FILM, AND PERFORMANCE STUDIES