VISUAL AESTHETICS OF JĀNIS STREIČS’ FILMS

Authors

  • Mg. art. Agnese Zapāne N

DOI:

https://doi.org/10.55877/cc.vol10.146

Keywords:

Jānis Streičs, visual aesthetics, cinematography, Soviet cinema

Abstract

Jānis Streičs is one of the key figures in the Latvian film history. His Soviet period films (13 feature films) are distinguished by a certain visual style, as well as by technique and aesthetics of creating characters, sets and the on-screen world. The 1970s and 80s was a prolific time for the director both in terms of genres and subjects covered in his films. Films of this period serve as evidence to Jānis Streičs’ strong authorship, as well as give grounds for further research into aesthetic canons, technical possibilities and visual aesthetics of the Soviet period films.

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References

Baudry, Jean-Louis (1985). Ideological Effects of the Basic Cinematographic Apparatus. Movies and Methods. London: University of California Press.

Cāne, Agita (2004). Jānis Streičs. Cikls “Kinogadsimts Latvijā”.

Dyer, Richard (2002). Entertainment and Utopia. Only Entertainment. London: Routledge.

Līce, Silvija (1995). Režisora un operatora tandēms. Viņi veidoja latviešu mākslas filmu vizuālo tēlu. Rīga: Zinātne.

Ogle, Patrick (1985). Technological and Aesthetic Influences on the Development of Deep-Focus Cinematography in the United States. Movies and Methods. London: University of California Press.

Pērkone, Inga (2011). Latvijas klasiskais kino. Inscenējumu realitāte. Rīga: Mansards.

Streičs, Jānis (1978). Filma “Teātris”, 1. daļa.

Zapāne, Agnese (2010). Audio-recorded conversation with Mārtiņš Kleins. From the author’s private archive

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Published

10.11.2022